You can make your videos more successful with a high-quality lens for the Sony a7S III. As a result, vivid colors and sharpness are reproduced with minimal distortions and flaring.
After reviewing dozens of lenses over the past few years, we have found that most fall short of at least one of these characteristics. In terms of popularity, Sony a7iii travel lenses are the most popular zoom lens for their cameras.
The edges of some are very soft, the edges of some flare on sunny days and the subjects of others are distorted. Our recommendation for the Sony 24–105 mm f/4 G OSS is for those looking for a versatile, top-performing lens on a budget.
If you want a higher-quality lens, the Sony 16–35 mm f/2.8 GM is a great choice. The Tamron 28-75mm f/2.8 is a great choice if you want something affordable and versatile.
Here are some things to consider
Quality of images
Lens quality affects everything from chromatic aberration to sharpness, color reproduction, distortion, and flare.
The quality of the build
The durability and longevity of a lens depend on the materials used and the precision of its construction. The weather-sealing of a lens can also be affected by this factor.
Prime or zoom
It is more versatile to use zoom lenses, while prime lenses have better image quality and are more specialized.
The price
An image and build quality as well as autofocus performance and image stabilization contribute to the price of a lens.
What is the best lens for Sony A7S III?
The following are my top recommended lenses for Sony A7S III:
1. Sony 24-105mm f/4 G OSS Review
It is another premium lens, but one that is more practical than the Sony 16-35mm. Throughout the zoom range, the lens maintains a constant f/4 aperture to produce sharp images at any focal length. The lens is made of high-quality plastic and is weatherproof, and the metal seal ensures a tight fit.
Video and photo recording is substantially smoother due to its built-in optical image stabilization. With Sony’s 24-105mm f/4.0 lens, a switch to switch between auto and manual focus is also provided, as well as a focus hold button and an optical steady shot button.
The lens also includes Sony’s quick, precise, and silent Direct Drive SSM (DDSSM) Auto Focus system. It is, therefore, suitable for capturing photos and recording films because of its autofocus system.
Oil or grime is prevented from sticking to the glass by the Sony Nano AR coating, which also prevents flares and ghosting. The package includes a lens hood.
Travel photography and videography are the best applications for this lens. Taking landscape pictures and close-up portraits is easy with the 24-105mm range. Wildlife photography can also be done with it, to a certain extent. Photography for events, street photography, and portraits is more suitable with this camera. Over a thousand dollars can be spent on this lens online.
PROS
- Zoom range of 4.4x is impressive.
- Stabilization of images.
- Compact and lightweight.
- Aperture maximum is constant.
- Keeping dust and splashes out.
CONS
- Taking vigilance.
- At wide angles, f/4 is soft.
2. Sony 16-35 mm f/2.8 GM Review
As one of Sony’s premium E-mount lenses, the 16-35 mm f/2.8 GM is an excellent choice. Landscapes and portraits can be captured beautifully with the 16-35mm focal range. “G” stands for impressive image quality and build quality. Sharp images are guaranteed even in low-light conditions thanks to the lens’s bright f/2.8 aperture.
In addition to its 11-bladed circular aperture, this Sony 16-35mm f/2.8 GM lens offers top-of-the-line bokeh. This model features two Direct Drive SSM (Direct Drive SSM) systems, which contain Sony’s original piezoelectric autofocus motors that work quickly and precisely. Filmmaking is made easier by DDSSM’s silent operation.
Older Sony cameras can also use the lens. Due to its compact size, it can be carried around easily without any hassle. Additionally, it has a focus hold button and an auto/manual focus button.
This lens has a rigid plastic body and weighs just 680 grams, making it easier to use for extended shooting sessions. It suppresses flare and ghosting in backlit situations thanks to the Nano-AR coating on its surface. Your Sony a7s III body is protected from dust and moisture by its weather-sealing O-ring.
It is impressive to see the quality of the picture. Throughout the frame, the images are sharp. Among Sony’s full-frame cameras, it is one of the best and fastest lenses.
PROS
- Autofocus is fast.
- Moisture and dust sealing.
- An aperture of f/2.8 is fixed.
- Button to hold focus.
CONS
- F/2.8 vignetting.
- Incompatible with IBIS.
- 35mm has soft edges.
3. Tamron 28-75mm F2.8 Di RXD lll Review
It only works with Sony Alpha-E mount cameras with the Tamron 28-75mm F2.8 Di RDX III lens (Model A036). A constant F2.8 aperture and convenient focal length range have always made this lens popular.
Image stabilization is not available with this lens as well. As a result of Tamron’s BBAR (Broad-band anti-reflection) coating, the surface of the lens is free from ghosting and flaring, making it easier to maintain sharp images.
A new RDX (Rapid extra-silent stepping Drive) motor unit has also been integrated into this Tamron lens to provide high-speed and precision AF. There is a fast, precise, and surprisingly silent AF motor.
In addition to producing perfectly round defocused light, the nine-bladed circular aperture produces an impressive background bokeh. There is excellent build quality, with all weather-sealing to keep moisture and dust out of your equipment. A compact size, lighter weight, and vibrant image quality are all balanced.
Its 28–75 mm focal length makes it ideal for everyday photography, portraits, street photography, and event photography. Those working in the media and photojournalism will benefit from this lens. Landscapes and cityscapes can also be captured with them. Under a thousand dollars can be spent on it.
PROS
- Built well.
- Sharp as a razor.
- The cheapest.
- The aperture is wide.
CONS
- Vignetting is strong.
- The image is not stabilized.
- Suitable for mid-resolution cameras.
Here are some reasons why you should trust us
In addition to being a founder and editor of Photutorial, I also write a lot about cameras, graphic design, and photography. Cameras have been a part of my life for more than 20 years, during which I have used DSLR cameras, mirrorless cameras (now), and even film cameras.
While deciding between a Nikon camera and a Sony camera, I researched Sony lenses. As a tech store promoter, I get to test a lot of cameras.
This article should be read by
This article will help you make an informed decision about whether you’re looking for a lens or a camera for your Sony a7S III. There is no point in reading articles that have endless lists of lenses, right? It doesn’t tell you anything (I understand).
There are other great lenses for the Sony a7S III as well
Sigma 35mm f/1.4 DG HSM Art
Sony full-frame cameras benefit greatly from the Sigma 35mm f/1.4 DG HSM lens. In addition to working with full-frame cameras, the Sigma is also suitable for APS-C cameras.
Despite its large aperture of f/1.4, it achieves an extremely shallow depth of field when shooting in poor light conditions. The “A” designation indicates that it belongs to Sigma’s prestige “Art” line of lenses.
Autofocus on the Sigma 35mm Art is fast, precise, and refined thanks to the Hyper Sonic Motor (HSM). There are four Special-Low Dispersion (SLD) elements and two F-Low Dispersion (FLD) elements on the f/1.4 DG HSM to reduce color fringing and chromatic aberration. Video and pictures are clearer and more accurate.
Its metal mount and barrel make it different from its predecessors. As a result, it is not as heavy and bulky as the Sony version.
Professional portrait photographers may find this Sigma lens to be a significant value for money. Brass bayonet mounting and thermally stable composite give this lens a lifetime of use.
Due to its 25% higher elasticity than polycarbonate, TSC (thermally stable composite) is a more precise material for lens construction. It is also ideal for street photography due to its 35mm focal length. Photographs of events and portraits are also well suited to it. Under a thousand dollars can buy a Sigma 35mm, f/1.4 Art.
Sony FE 85mm f/1.8
A compact and lightweight lens, the Sony FE 85mm f/1.8 weigh only 371 grams. During real-life situations, it is easy to handle due to its lightweight design.
In this way, bokeh is created in a smooth manner without distracting from the subject in the background. Low-light images will be able to be captured with the large F1.8 aperture.
Film-makers will appreciate its precision, and quiet operation due to its double linear motor system. There are nine blades on the lens that create a beautiful defocus effect. In addition to an AF/MF switch, it also has a customizable focus hold button.
In spite of this, this lens does not come with an optical image stabilization system built-in. Image stabilization is now embedded in most Sony cameras.
There is a good sense of ergonomics to the lens.
This large focus ring is responsive and grippy enough to provide smooth operation. With ED glass elements, Chromatic Aberration (CA) is virtually invisible.
Sony claims this lens can be used in light rain and windy conditions due to its dust and moisture-resistant design.
For portrait photography, the Sony FE 85mm F1.8 has excellent sharpness and clarity, making it the ideal mid-range telephoto prime lens. Alternatively, you can use it to photograph landscapes and architectural structures. Over $500 is what you’ll have to pay for it.
Sony FE 70-200mm F2.8 GM II OSS
A high-performance telephoto zoom lens, the Sony FE 70-200mm F2.8 GM II OSS offers excellent image quality. It is remarkable that the aperture remains constant across the entire focal length range at F2.8.
In low light conditions, you can capture distant objects with a decent bokeh using its large aperture and maximum focal length.
Combined with a fast and precise automatic focus system, the G Master offers unmatched rendering capabilities.
This heavy/full-size lens is equipped with dual linear and ring Super Sonic Motor (SSM) actuators that assure accurate autofocusing in both stills and videos. In challenging situations, it is capable of taking close-up shots with its built-in optical image stabilization.
A superb bokeh is achieved with the lens, thanks to its Extreme Aspherical (XA) element. As well as providing natural images, two Super ED and four ED glass elements are included in this lens.
Through the use of these elements, chromatic aberration is further suppressed throughout the focal length range to ensure the best possible resolution. Despite its 70-200mm focal length, the maximum focusing distance is only 0.40 meters.
With its close-up performance, it will certainly break barriers. Among the physical features of the device are the focus mode switch, the focus range limiter, the focus hold button, the shake compensation switch, and the shake compensation mode switch.
For wildlife photography, I recommend the Sony FE 70-200m zoom lens. You can purchase it online for less than three thousand dollars.
Alternatives similar to this
If you don’t want to spend a lot of money on this lens, the second version is a good alternative. There is more corner softness in the older version due to its longer minimum focus distance.
Tamron 70-180mm F2.8 Di III VXD
It is only compatible with Sony Alpha-E mount full-frame mirrorless cameras that can mount the Tamron 70-180mm F2.8 Di III VXD (Model A056) lens.
In spite of this, the large, constant F2.8 aperture throughout the zoom range assures high image quality even at the longest focal lengths. Additionally, Tamron’s new linear motor focus mechanism with Voice Coil Extreme Torque Drive (VXD) ensures superfast autofocus with accurate and silent metering.
Furthermore, it provides excellent autofocus performance at all focal lengths thanks to its floating mechanism.
In the long run, it turns out to be quite useful for any mirrorless camera that has a full-frame sensor, as it weighs only 810 grams. There is no vibration control on this lens, so optical image stabilization requires the camera body.
Tamron claims this is the fastest and most accurate autofocus lens in its 70-year history. Ghosting and flaring can be reduced more effectively by the new BBAR-G2 coating. Backlit subjects are also rendered evenly with this technique.
You can also protect your equipment from the weather by using seals throughout the barrel of this lens. For wildlife photography and event photography, this high-performance lens is ideal. In comparison with the Sony FE 70-200mm F2.8 GM OSS, it is a good and cheaper alternative.
FAQs
The best lens for Sony a7S III is Sony 24-105mm f/4 G OSS due to its versatility. You can capture excellent portraits and street photos as well as landscapes with their long focal length. Sony a7s III filmmaking also benefits from this lens.
FE (full-frame E-mount) lenses and E-mount APS-C format lenses are compatible with Sony’s a7S III camera. There is generally a higher price tag associated with Sony FE lenses.
In 4K UHD recording, Sony a7S III supports 10-bit and 8-bit color depths. For filmmakers and cinematographers, this is a good investment at $3,500.
There is only one major difference between the Sony a7S III and the Sony a7 III, and it is the video recording feature. In addition to recording 4K videos, the Sony a7S III can also record 4K/120p at a 1.1x crop as well as 4K/60p at full width. Recording at 30fps without cropping is possible with the a7 III.
No matter what the manufacturer of a lens is, it will work with the Sony a7S III. Nikon, Sigma, and Tamron manufacture the best lenses for Sony a7S III.