5 Best Lenses for Interviews | 2023 Guide

The purpose of formal consultations, meetings, and job interviews is usually to evaluate qualifications, gather information about a celebrity’s life (office interviews), and find out what they are passionate about. In this blog, we will guide you on the best lenses for interviews.

Interviewers keep one thing in mind before taking ideal interviews with celebrities or chefs, models, athletes, painters, architects, etc.

It’s important to have a good camera and a lens that works perfectly together.

As such, finding the best lens for live streaming that is right for your camera is one of the most important steps in assembling the puzzle of a premium-quality streaming setup.

Using a highly valuable collection of lenses, I can compare interviews with anyone famous who is a leading light in the business.

How do I choose the Best Lens for an Interview?

My recommendations for the top 5 best lenses for interviews are as follows:

1. Samyang 85mm F/1.4: (Best lens for Interview)

It was one year ago that Harpo production conducted an interview with Meghan Markle, the Duchess of Sussex.

The Samyang 85mm F/1.4 lens was selected by my interview team along with a great camera body.

With this lens, we were able to achieve fantastic results.

CBS This Morning’s interview with Meghan Markle was recorded.

A discussion regarding the Meghan and Prince Harry revelation and her father’s relationship with me took place for the first time.

Due to the magical power of this lens, we received all the reviews regarding this interview, and became famous on YouTube in days.


What makes this focal length the best?

The 85mm focal length helps me maintain a safe distance from my interviewer while staying close.

The background can be composed more simply this way.

You will feel more comfortable during the interview and it will seem more natural.

Lenses for short telephotos:

Using the short telephoto lens with the latest full-frame sensors, you will achieve the highest level of quality in images and videos.

The 136mm equivalent AF telephoto lens equips me with the high range speed of an APS-C sensor camera.

Autofocus in stereo:

I was relieved that my team didn’t have to correct the focus repeatedly due to the automatic autofocusing.

Autofocusing is fast, speedy, and noiseless thanks to two linear ultrasonic motors.

Getting accurate focusing means adjusting the inner lens groups.

You can also use the AF/MF switch to seamlessly switch between focusing modes.

Multi-coating ultra-thin:

During recording or outdoor live interviews, the direction of the camera toward the sun may cause reflections and chromatic aberrations.

My video quality was protected by Ultra Multi-coating, which reduces reflection and produces crystal clear interviews with VIP stars.

As a result:

A great interview lens with great autofocusing and low-light capability without the need for additional lighting.

For interview-taking, portraits, modeling, and weddings, I recommend buying this 85mm F/1.4 lens.


  • The short telephoto lens
  • 85mm focal length
  • F/1.4 to F/16
  • Lenses with EF mounts
  • Ultrasonic motors on both sides
  • It’s 2.95′ (0.90m) at the least.
  • Magnification Ratio: 0.11x
  • Size: 77m
  • 7 groups of 9 elements
  • Blades for 9 diaphragms
  • Multi-Coating Ultra
  • A body that’s water-resistant


  • With f/1.4, it’s a bit soft.
  • The optics are not stabilized.

2. (Best lens for interviews) Sigma 105mm F/1.4

For my channel “Daily Gupshup,” I interviewed famous YouTubers, Diana and Roma, last Sunday at their house.

In order to get close-ups of the Diana and Roma toys collection, I chose the Sigma 105mm lens.

I had a successful interview with these cute queens, and I even appeared briefly in the video with them. By choosing a great lens, everything is possible.


What makes this focal length the best?

The 105mm focal length gives me the sharpest close-up view.

At this focal length, it can take an extra close-up of any subject due to its incredible close-up capabilities.

At a magnification of 1:1, I can get stunning close-ups of children’s toys.

Macro Lens:

My macro lens makes awesome pictures and videos.

EF-mount DSLR cameras are truly designed to fit the entire frame of this design.

With this lens, I was able to achieve the 168mm equivalent focal length with the extra high power provided by the APS-C model.

F/1.4 Aperture with Impressive Brightness:

In different lighting conditions in the house rooms for interview purposes, I obtain the admirable maximum aperture of F/1.4.

When I use the shallow depth of field option, I have maximum control over the focus scene.

As a result of the time constraint, I am able to work at faster shooting rates with the expert electromagnetic aperture system.

Durability and precision:

In my outdoor interviews with VIPs, the extreme temperatures are the key to getting the perfect footage.

By introducing Thermally Stable Composites (TSC) both in the lens and in the metal, I am able to gain the utmost accuracy when working at high temperatures.

As a result:

You can take close-up shots of your desired project by using a camera with advanced features.

Photographing interviews, portraits, insects, and products is easier with the Sigma 105mm F/1.4 lens.


  • Macro Lens
  • This lens has a focal length of 105mm
  • F/1.4 to F/16
  • Lenses for EF mount
  • Three FLDs, two SLDs
  • 1-Element that’s spherical
  • Coverage with multiple layers
  • With AF motors, Hyper Sonic
  • Waterproof,
  • Forehead protection
  • Diaphragm with 9 rounded blades
  • The removed rotating tripod foot
  • Compatible with Sigma USB docks


  • Stabilization is not available.
  • An f/1.4 and f/2 vignette.
  • Heavy and big.

3. Sony FE 24mm F/1.4: (Best lens for interview)

When I was traveling to Singapore, I had the opportunity to meet the famous USA model Kate Upton.

A family vacation took her there.

I came up with the idea of interviewing her for a few minutes informally.

Harry picked up my camera and paired it with my Sony FE 24mm F/1.4 lens so I could get a full-wide shot of Kate Upton and her family.

My first offer was rejected, but I still offered a handsome amount.

A few minutes was all she gave me.

Here are some general questions I asked during my interview.

My broader angle of view lens helped me get this interview by adding some extra famous Singapore shots.


  • Lenses with a wide angle
  • 24mm focal length
  • Range of apertures F/1.4-16
  • Lenses with E-mounts
  • 3-ED Elements, 2-XA Elements
  • Fluorine-coated nano AR
  • AF motor is driven by direct drive and supersonic waves
  • Switch between AF and MF
  • Focus on Internals
  • Button to focus the bear
  • Ring Aperture Physical
  • Switch off by de-clicking
  • A moisture- and dust-resistant body
  • Diaphragm with 11 rounded edges
What makes this focal length the best?

By using the broader angle view, you can take a celebrity interview with this exceptionally innovative shortest 24mm focal length holding lens.

I can accomplish all of this because my wide-angle best focal length decision lens allows me to select different angles to achieve out-of-the-way results.

Lenses from the G-Master Series:

As is my habit, I usually try different lenses depending on where I am interviewed, but this time I chose the Sony admired G Master series.

The lens is highly panned to provide a remarkably high resolution and sharpness across the entire field of view, enabling it to correct a wide range of spherical and chromatic anomalies.

Traits of elements:

We have removed a few minor deviations in order to incorporate the two XA elements into the optical design, as well as three elements with extra-low dispersion.

Astigmatism, coma, and spherical deviation have been effectively controlled by the XA elements.

To achieve transparent clarity and color perfection, I reduce chromatic irregularities and color fringing.

System for responsive autofocus:

In addition to the direct drive supersonic motor, an internal focusing system and an outrageous AF system enhance the camera’s AF response.

With this software, I was able to execute the interview accurately, soundlessly, and at high speed, which took hours to complete.

As a result:

As someone who conducts interviews, you will indeed buy this lens without thinking about it extra.

Finally, the Sony FE 24mm F/1.4 is an excellent wide-angle lens for interviewing.


  • The best of low light.
  • Compact & lightweight.
  • Lenses that are versatile.
  • An aperture of f/1.4, fast bright.
  • Fluorine, dust, and splash protection.


  • Post-processing can easily mitigate color fringing.

4. Best lens for interview: Nikkor 50mm F/1.8

During my visit to Dubai, I had the pleasure of dining at CZN Burak.

What a coincidence it was that I met Burak, one of the most famous chefs in Turkey.

The struggle of your life is something that I would like to hear about in a short interview.

It took him minutes to agree.

A gorgeous chef is waiting for me to interview her with a Nikkor 50mm f/1.8 lens.

In light mode, I filmed him cooking and interviewed him.

With this influential world chef, I had a wonderful time.


  • Typical Lenses
  • 50mm focal length
  • F/1.8 to F/16
  • Lenses with FX format
  • Type F mounting
  • A spherical element
  • Coverage with super integration
  • AF-equipped silent wave motor
  • Diaphragm with 7 rounded blades
  • 1.48 feet (0.45 meters) is the least focusing distance
What are the benefits of this focal length?

My 50mm focal length lens has a shallow depth of field because of its high speed and wide aperture.

Using this lens provided me with a massive creative edge because I blurred out the background of the interviewer and focused entirely on the main subject.

A lens formatted for FX:

Designed for FX-format Nikon cameras with F-mount lenses, the standard lens has an average focal length of 49mm.

The DX models are my go-to models if I want to reach the equivalent focal length of 75mm.

As a result of its portable and lightweight body, I am able to make my interview journey unexacting.

Proficiency in coatings:

A super-integrated coating protects my lens elements.

It is capable of reducing both internal reflections and focusing surface errors.

As a result, lens flare and ghosting are reduced less significantly.

This outstanding feature provides me with the perfect interview videos.

Performance of AF explicitly:

The sound produced by many lenses during the live interview disrupts the interviewer’s intention.

As a result of the development of the silent wave motor, this intelligent lens is able to efficiently perform autofocus, which is fast, silent, and spot-on.

As a result:

The lens is lightweight and one of my favorites.

It is easy for me to carry this lens with me to the interview spot by using my pants pocket.

Interviews, travel, and wedding photography require the Nikkor 50mm F/1.8.


  • A sharp edge.
  • Lightweight and compact
  • Fast aperture, and good quality.
  • This is a worthwhile purchase.
  • Low-light situations are best.
  • A smooth focus ring is present.


  • Stabilization is not available.
  • Fringed in purple.
  • Achromatic aberrations.

5. 35mm Canon F/1.4: (Best lens for interviews)

As a sports cameraman on duty at an English football ground, I had a great opportunity to interview Renold Messi immediately after the match.

A Canon 35mm F/1.4 lens was used to set up my camera.

The first time I got a game-winning review from him was with this lens.

At the finish line, I had the opportunity to take a short interview with this person I am a big fan of.

I firmly believe that everything happens in this world.

By blurring the background, my best lens created a natural look of Messi during the interview.


  • Lenses that are standard
  • The focal length of the lens is 35mm
  • F/1.4-22 Aperture Range
  • Lenses with EF mounts
  • An element of refractive optics with a blue spectrum
  • Two spherical elements, two UD elements
  • Coverage of subwavelengths
  • Ultrasonic motor with ring-like AF system
  • Override manual focus at all times
  • Fluorine-coated design, weatherproof
  • Diaphragm with nine rounded edges
  • There is a minimum focus distance of 0.92 feet/0.28 meters
  • Size of the filter: 72mm
What are the benefits of this focal length?

I can achieve the maximum payoff with the 35mm focal length.

By substituting the standard focal length for the quick-witted aperture of f/1.4, I get the standard lens focal length.

I was able to convert my shallow depth-of-field interview videos into natural ones with bokeh effects.

Format APS-C:

Using my high-quality kite lens compatibility for the APS-C format EF-mount cameras, I record the interviews of the daily sports stars and post them on my social accounts.

My daily interview work requires a lens equivalent to 56mm.

F/1.4 Ingenious Aperture:

No matter how intense the lighting conditions are in the interview area or on the sports field, I never feel stressed.

With the bright constant F/1.4 aperture set at the optimal aperture, I’m able to get the right brightness even under adverse lighting conditions.

As a result, I am able to utilize exceptional techniques throughout the entire focusing range.

Spectrum of blue light:

If a highly sunny day is being used to conduct an interview with an inspirational VIP sports player, color fringing and chromatic edge cases are the standard.

By reframing the shorter wavelength in the visible blue light spectrum, I successfully reduced color fringing and chromatic freak.

As a result:

In order to capture the inspirational and motivational interviews of the sports icons, the best affordable and innovative body lenses were used.

This lens is at the top of my list of priorities.

Travel, interviews, video, and family events are made easier with the Canon 35mm F/1.4 lens.


  • The deep field is brutally shallow.
  • A sharp edge.
  • Build quality is excellent.
  • There is a quick focus ring.
  • The seal is weatherproof.
  • It performs well in low lighting.
  • The video is excellent.
  • Quick as a flash.
  • Vignetting is minimal.
  • I found the price to be reasonable.


  • Focus manually.

FAQ of Best Lenses for Interviews

How do interview lenses work?

A mid-distance lens that enhances near vision, the Interview is a medium-distance lens. A near zone can be reached by lowering the eyes by approximately 18 degrees and a mid-zone is located directly in front of the eyes.

Which camera lens flatters you the most?

How do you choose the most flattering focal length? An 85mm full-frame camera (50mm APS-C camera) has the most flattering focal length for portraits. The 85mm focal length provides the best image quality without distorting facial features.

Talking heads have what focal length?

A 35mm camera. Due to the focal length of the 35mm lens, the subject and audience are at a comfortable distance. There are probably few things that are more suitable for doing the YouTube “talk to camera” format than this.


Okay, guys, that concludes this article’s discussion of all lenses.

Have any of you used these lenses before? Can you tell me what you think of them?

When it comes to interviewing, which lenses do you recommend?

Could you tell me about a lens you like to use that I did not mention?

Let me know what you think and what you have to say in the comments section below.

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